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Nothing in This World Is Real | Angie Hobbs on Plato

Sep 1, 2026

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Nothing in This World Is Real | Angie Hobbs on Plato

Explore Plato's philosophy with Angie Hobbs: the cave, Forms, love, justice, and his enduring questions.

Professor Emerita Angie Hobbs of the University of Sheffield, a prominent voice in ancient Greek philosophy and author of "Why Plato Matters Now," discusses the enduring relevance of Plato's philosophical inquiries. The conversation delves into Plato's intellectual context, his relationship with Socrates, and the core tenets of his philosophy, including justice, love, the theory of forms, and his emphasis on mathematics and music.

Plato's Intellectual Landscape

Plato's philosophy emerged as a reaction to several key intellectual and political currents of his time. He critically engaged with the Sophists, itinerant teachers who prioritized rhetoric and argumentation skills over truth. For Plato, true philosophy involved collaborative truth-seeking, not deception or manipulation.

He also reacted against the materialism of pre-Socratic philosophers like Democritus, who posited that everything, including the soul and gods, was composed of material atoms. Plato found these explanations reductive, arguing they failed to address the fundamental question of "why" something exists and what its essence truly is.

Politically, Plato's upbringing during a turbulent period in Athenian history, marked by the Peloponnesian War and internal factionalism, fueled his search for social harmony and a just political order. His philosophical work aimed to preserve the legacy of his mentor, Socrates, while offering solutions to the divisions and anarchy he witnessed.

While Plato was critical of certain pre-Socratic materialists, he was deeply influenced by others. Heraclitus's concept of constant flux in the phenomenal world and Parmenides's notion of unchanging, eternal being informed Plato's own metaphysics. He sought to reconcile these seemingly opposing views, a testament to his engagement with, rather than outright rejection of, earlier philosophical traditions.

The Socratic Legacy and Plato's Voice

Distinguishing between the historical Socrates and Plato's philosophical development presents a significant scholarly challenge. Plato, born around 428/427 BCE, was deeply influenced by Socrates, who was executed in 399 BCE. In his early dialogues, Plato adopted Socrates's oral, question-and-answer methodology and his focus on fundamental ethical questions: "How should I live?" and "What sort of person should I be?"

However, as Plato matured, his philosophical scope expanded. He began to explore the necessary social and political conditions for ethical progress, leading to his interest in political theory. This, in turn, prompted inquiries into the nature of human beings and the soul, leading to psychology. His quest for knowledge then led him to epistemology and, ultimately, metaphysics, the study of reality.

While Plato consistently wrote in dialogue form, never directly in his own voice, certain ideas are attributed to him due to their repetition and consistent presentation. These include the theory of the tripartite psyche (reason, spirit, and appetites) and the concept that human flourishing and virtue lie in the harmony of these parts. Similarly, his "theory of forms," which posits that true reality exists in a transcendent realm of perfect, immutable forms, is considered a significant Platonic doctrine, at least for a period of his life.

Plato's preference for questioning over declarative statements is central to his philosophical method. He believed that true learning is an internal process, stimulated by questioning rather than passively receiving information. Teachers, in his view, should guide students toward understanding, much like turning someone "towards the light." This approach invites readers into an ongoing conversation, allowing for interpretation and reinterpretation across generations.

The Republic and the Nature of Justice

The Republic grapples with the question of justice, famously challenging the Sophist Thrasymachus's assertion that "justice is the interest of the stronger." Thrasymachus argued that rulers, regardless of their form of government, legislate in their own self-interest, and obedience to these laws merely serves the powerful. Plato, through the character of Socrates, counters this cynical view by arguing that those who define justice solely in terms of power and material wealth misunderstand human nature and well-being.

Plato posits that human beings have a tripartite soul—reason, spirit, and appetites. He contends that individuals like Thrasymachus fail to cultivate their rational element, leading to a confined and miserable existence. To explore justice more fully, Plato constructs an ideal city, a utopian model where justice can be examined on a larger scale.

While the ideal city described in the Republic exhibits authoritarian and totalitarian characteristics, including censorship and the communal raising of children, Professor Hobbs suggests that Plato may not have intended it as a literal blueprint. The dialogue's own censorship criteria would likely ban the Republic itself, hinting at Plato's ironic and playful approach. He uses this ideal city as a thought experiment to provoke discussion and debate, rather than presenting a fixed, unassailable doctrine. The Republic's ultimate aim is to answer the ethical question of whether justice is intrinsically valuable and beneficial to the individual, even when faced with the apparent success of the unjust.

Love, Desire, and the Symposium

Plato's Symposium explores the nature of erotic love, Eros, and its connection to friendship (Philia). The dialogue features a drinking party where various guests, including the playwrights Agathon and Aristophanes, and the philosopher Socrates, present their views on love.

A key speech is delivered by Diotima, a priestess-like figure (likely invented by Plato), who describes a "ladder of love." This ascent begins with physical beauty and progresses through moral beauty, knowledge, and ultimately to the Form of Beauty itself. This journey involves transcending earthly desires for a higher, more abstract form of love.

The dialogue concludes with the dramatic entrance of Alcibiades, a charismatic but dissolute Athenian statesman. Drunk and boastful, he recounts his failed attempts to seduce Socrates, highlighting Socrates's philosophical resistance. The decision to end the dialogue with Alcibiades's speech, rather than Diotima's more abstract account, is seen as a deliberate choice by Plato. It raises questions about the practicality and demands of Diotima's ascent, the potential consequences of failing to pursue it (as exemplified by Alcibiades's life), or perhaps suggesting that neither Socrates nor Alcibiades holds the complete answer, leaving the reader to formulate their own philosophy of love.

The Symposium also touches upon the myth of human origins, where Aristophanes suggests that humans were originally three-gendered and split by Zeus, leading to a perpetual search for one's "other half." Diotima refutes this, arguing that humans yearn not for their missing half, but for the good. The dialogue's exploration of homosexuality and its potential connection to gender ideology led to its temporary ban from being taught at Texas A&M University, highlighting the ongoing relevance and controversy surrounding its themes.

Plato would likely view modern dating apps as keeping individuals fixated on the first rung of the ladder of love—physical attributes—and potentially exposing them to deception. He would advocate for caution, verification of truth, and a broader pursuit of love beyond mere sexual satisfaction, recognizing Eros as a force for moral and intellectual growth.

The Theory of Forms and Ethics

Plato's theory of forms addresses his profound desire for knowledge to exist. Observing the constant flux of the sensory world, he concluded that it could only be an object of belief, not true knowledge. To establish a foundation for knowledge, Plato posited a transcendent realm of eternal, unchanging, and perfect Forms, such as the Form of Beauty, Goodness, and Justice.

While Plato believed his ethics and politics were anchored in these Forms, particularly the Form of the Good, Professor Hobbs argues that a framework for ethics and politics can still be derived from his emphasis on flourishing and virtue, even without belief in the Forms. This approach focuses on the questions "How should I live?" and "What sort of person should I be?" aiming for a life of flourishing, understood as the fulfillment of one's potential across rational, emotional, and physical faculties. This perspective emphasizes agency and moral responsibility, even in challenging circumstances.

Hobbs offers a more individualized interpretation of flourishing than Plato's potentially authoritarian hierarchy, suggesting that the picture of flourishing will vary based on individual capacities and circumstances. She notes that Plato himself revised his ideas in later dialogues, demonstrating a capacity for self-scrutiny and intellectual growth.

Mathematics, Music, and Universal Principles

Plato's fascination with mathematics and music stems from his encounter with Pythagorean communities in southern Italy around 387 BCE. He was struck by the realization that music, a beautiful art form, could be precisely notated and understood through mathematical ratios and proportions. This led him to hypothesize that other aspects of reality, including the human psyche and the cosmos, might also be governed by mathematical principles.

This pursuit of mathematical perfection and harmony influenced his philosophy, linking Forms to numbers and ratios. Plato believed that mathematics offered a path to understanding universal, unchanging truths, a stark contrast to the mutable world perceived by the senses. His public lectures at the Academy, reportedly focused on mathematics, disappointed Athenians seeking simple rules for living, underscoring his commitment to rigorous intellectual inquiry.

Nietzsche, Christianity, and Plato's Legacy

Friedrich Nietzsche famously described Plato as "boring," viewing him, along with Christianity and Kant, as a "life denier" who sought reality in other realms rather than embracing this world. Nietzsche championed Homer and the pre-Socratics as proponents of a life-affirming philosophy. However, Nietzsche's own complex literary style, employing irony and multiple personas, shares a methodological kinship with Plato's dialogues, which also require active interpretation from the reader.

Plato's influence on Christianity is significant. Early Christians saw Plato as a precursor, particularly in his emphasis on ascending to a higher realm and his rejection of the ethics of revenge. The Socratic and Platonic principle that the good person does not return wrong for wrong resonates with the teachings of the Sermon on the Mount.

However, Plato's Form of Beauty is impersonal, unlike the Christian God who reciprocates love. While figures like Augustine and Ficino attempted to reconcile Platonic philosophy with Christianity, Plato's ideas were adapted and sometimes transformed. Crucially, the preservation of Plato's texts throughout history owes much to Christian, Jewish, and Islamic scholars, facilitating a rich tradition of interfaith philosophical dialogue.

The Enduring Relevance of Plato

Professor Hobbs emphasizes that while textual scholarship aims to ascertain Plato's original writings, the enduring power of his philosophy lies in how each generation and culture interprets his work. Plato's richness and the breadth of his inquiries ensure that he continues to matter, offering insights relevant to contemporary challenges. His dialogues invite readers to engage in critical thinking, to question their own beliefs, and to pursue a deeper understanding of fundamental questions about life, justice, and reality.

Hobbs is currently working on a book exploring heroes and heroism from a philosophical perspective, building on her previous work, including "Why Plato Matters Now," which delves into heroes, heroism, celebrity, and the distinction between being a hero and a celebrity.

Introduction and Plato's Intellectual Context

The discussion opens with a metaphor of being trapped in a cave of unreality. Professor Angie Hobbs introduces Plato's philosophy, highlighting his critique of the Sophists and materialist philosophers. Plato's work is presented as a response to the intellectual and political climate of his time, seeking truth and harmony, and building upon Socrates' legacy. His engagement with Pre-Socratic ideas, particularly Heraclitus and Parmenides, is noted.

  • The interview begins by framing our current reality as a 'cave of unreality'.
  • Professor Angie Hobbs, an expert in ancient Greek philosophy and author of 'Why Plato Matters Now', is the guest.
  • The discussion focuses on Plato's philosophy, exploring his questions more than his answers.
  • Plato was reacting against the Sophists, who taught rhetoric for winning arguments rather than seeking truth.
  • He also reacted against materialist philosophers like Democritus, who believed everything was made of atoms.
  • Plato sought to preserve the legacy of his mentor, Socrates.
  • He was influenced by Heraclitus (everything is in flux) and Parmenides (everything is unchanging being).
  • Plato was not against all Pre-Socratics but critiqued strong materialist positions.
  • Socrates was disappointed by Anaxagoras's focus on material composition over essence ('why').
  • Plato's political philosophy aimed for social harmony amidst Athenian political turmoil.

The Distinction Between Socrates and Plato

The chapter addresses the difficulty in separating Plato's ideas from Socrates' in Plato's writings. While early dialogues reflect Socratic methods and ethical concerns, Plato later developed his own complex philosophical systems in metaphysics, epistemology, and politics. Plato's use of dialogue and questioning is emphasized as a core philosophical tool, encouraging internal learning rather than passive reception of information.

  • Distinguishing Socrates' views from Plato's is a complex, ongoing scholarly debate.
  • Plato was born around 428/427 BCE; Socrates was executed in 399 BCE.
  • In his early dialogues, Plato adopted Socrates' oral question-and-answer methodology and focus on ethics ('How should I live?').
  • Plato used the dialogue form to reach a wider audience and preserve ideas for the future.
  • As Plato matured, he expanded into political theory, psychology, epistemology, and metaphysics, areas less focused on by the historical Socrates.
  • Aristotle confirms Socrates' primary interest was ethical questions.
  • Plato's own voice is rarely explicit; he uses characters, often Socrates.
  • Views repeated consistently in the same language, like the tripartite psyche or the theory of Forms, are often attributed to Plato himself.
  • Plato's methodology, using dialogue and questioning, is as significant as his concepts.
  • Philosophy, for Plato, begins in wonder and questioning, not in passively receiving knowledge.

The Republic: Justice and the Ideal City

The discussion on Plato's Republic centers on the definition of justice, contrasting Thrasymachus's cynical 'interest of the stronger' with Plato's vision of a harmonious soul and city. While the ideal city described is authoritarian, the interview emphasizes that Plato uses it as a thought experiment to explore fundamental ethical questions, inviting critical engagement rather than dictating a rigid system. The intrinsic value of justice for individual and societal well-being is highlighted.

  • The Republic begins with Thrasymachus's cynical claim that justice is the 'interest of the stronger'.
  • Plato argues against this, defining justice not by power but by the proper functioning of the soul and the city.
  • Thrasymachus's view is seen as a 'might is right' theory, focused on power and material wealth.
  • Plato posits that true well-being comes from a harmonious soul (reason, spirit, appetite) and not solely from power or wealth.
  • To explore justice, Plato constructs an ideal city (polis) as a larger canvas.
  • The Republic's ideal city is described as authoritarian, with philosopher-rulers, auxiliaries, and producers.
  • Critics like Popper and Berlin have labeled Plato's ideal city as totalitarian.
  • Hobbs argues that while the described city is authoritarian, Plato uses it for debate and questioning, not as a literal blueprint.
  • The dialogue itself would be banned in the city it describes, highlighting Plato's irony and invitation to critical thought.
  • Plato's core argument is that justice is intrinsically valuable and leads to a more flourishing life than injustice.

The Symposium: The Nature of Love

Plato's Symposium is presented as a vibrant dialogue exploring the nature of love through various speeches at a party. The discussion highlights Aristophanes's myth of divided humans seeking their other half and Diotima's teachings on ascending towards the Form of Beauty. The dramatic interruption by Alcibiades, recounting his complex relationship with Socrates, serves as a provocative ending, leaving the audience to ponder the true meaning and challenges of love and philosophy.

  • The Symposium is recommended as an accessible starting point for new readers of Plato.
  • The dialogue explores erotic love (Eros) and its relation to friendship (Philia).
  • It features a drinking party with various characters, including Socrates, Agathon, and Aristophanes, each presenting their view on love.
  • The famous playwright Alcibiades interrupts the party drunk and speaks about his unrequited love for Socrates.
  • Alcibiades's speech recounts his attempts to seduce Socrates, who consistently engaged him in philosophical discussion instead.
  • The dialogue ends not with Socrates's speech (which describes Diotima's teachings on ascending to the Form of Beauty) but with Alcibiades's dramatic entrance and speech.
  • This ending is interpreted as Plato posing questions: is the ascent too demanding? Is Alcibiades a warning against failing to pursue love/philosophy?
  • Aristophanes's myth of humans being split into two halves offers a different perspective on love as a search for completion.
  • Diotima's speech introduces the idea of love as a desire for the good and beauty, and the concept of the 'pregnant philosopher'.
  • Plato's choice to end with Alcibiades suggests a complex, perhaps unresolved, exploration of love, warning against both extreme asceticism and unfulfilled potential.

The Theory of Forms and Ethics

Plato's Theory of Forms addresses the problem of achieving certain knowledge in a changing world by proposing a realm of perfect, unchanging Forms. This theory underpins his ethics and politics, providing objective standards for concepts like justice and goodness. While the Forms offer a foundation, the discussion explores how an ethics of flourishing and virtue can be understood even without strict adherence to the theory, emphasizing individual potential and agency.

  • Plato's Theory of Forms stems from his desire for objective knowledge in a world of constant flux.
  • He posited a transcendent realm of perfect, eternal Forms (e.g., Beauty, Justice, Goodness) as the true objects of knowledge.
  • The physical world, perceived through senses, is considered an imperfect copy, only knowable through belief.
  • This theory combats the Sophists' relativism and skepticism about truth.
  • Without the Forms, particularly the Form of the Good, Plato's ethics and politics might lack a firm foundation.
  • However, a framework for ethics based on 'flourishing' (eudaimonia) and fulfilling potential is possible even without belief in Forms.
  • This flourishing involves actualizing rational, emotional, and physical faculties, even in challenging circumstances.
  • Hobbs updates Plato's ethics to be less authoritarian, focusing on individual capacities and circumstances rather than a single 'good life'.
  • Plato's ideal city in the Republic is a utopian thought experiment to explore justice, not necessarily a literal proposal.
  • The pursuit of an ideal, even if unachievable, provides direction and combats complacency.

Mathematics, Music, and Nietzsche's Critique

Plato's fascination with mathematics and music, stemming from his time with the Pythagoreans, is explored. He saw mathematical ratios and proportions as keys to understanding beauty, harmony, and the universe. This contrasts with Nietzsche's critique of Plato as a 'life denier' who devalued the present world. However, Nietzsche's own complex, ironic writing style is seen as echoing Plato's methodological approach.

  • Plato was deeply influenced by Pythagorean communities in Southern Italy, particularly their work on mathematics and musical harmony.
  • He saw beauty in music as being mathematically notated through ratios and proportions, suggesting a universal order.
  • This led Plato to explore mathematical ideas throughout his life, linking Forms to numbers.
  • Plato's public lectures at the Academy, reportedly focused on mathematics, sometimes disappointed audiences seeking practical advice.
  • Mathematics and music were crucial for Plato in understanding harmony, proportion, and the structure of the cosmos and human psyche.
  • Nietzsche viewed Plato (along with Christianity and Kant) as a 'life denier' for seeking reality in other realms instead of this world.
  • Nietzsche saw Homer as Plato's antithesis, representing an affirmation of this life.
  • Despite criticizing Plato, Nietzsche frequently engaged with his ideas, suggesting a methodological kinship in their use of irony and layered meaning.
  • Nietzsche believed Plato shifted philosophy away from earlier Greek emphasis on strength and this world towards otherworldly concerns.

Plato's Influence on Christianity and Legacy

The profound influence of Plato on Christianity is discussed, particularly in ethical concepts like rejecting revenge and the idea of ascending to a higher realm. While Christianity adapted these ideas, it infused them with a personal God. Plato's texts have been preserved through various cultures, and his enduring legacy lies in his ambitious questioning and the richness that allows each generation to find new meaning in his work.

  • Early Christians saw Plato as a precursor, noting similarities in concepts like ascent to another realm and the rejection of the ethics of revenge.
  • Socrates and Plato's emphasis on 'the good human never does wrong' prefigures Christian teachings like the Sermon on the Mount.
  • While Christianity adopted Platonic ideas, it replaced the Form of Beauty with a personal, reciprocal God (agape).
  • Augustine and Ficino are examples of thinkers who attempted to reconcile Platonic philosophy with Christianity.
  • Plato's texts were preserved and transmitted through Islamic, Jewish, and Christian scholars over centuries.
  • A period of over a thousand years saw dialogue between pagan, Jewish, Christian, and Muslim scholars.
  • The Plato we read today is likely close to the original writings, though interpretations vary across generations and cultures.
  • Plato's enduring relevance lies in his ability to speak to different 'nows' and inspire ongoing discovery.
  • His ambition in tackling life's huge questions and linking them into a coherent whole is a key aspect of his legacy.
  • Hobbs is currently working on a book about heroes and heroism from a philosophical perspective.